About Arthur Schopenhauer (1788-1860)
This page is for regular readers of
'The MacGuffin' - who will know that not only do I greatly admire Schopenhauer's
writings, but that I consider the German philosopher's thought and temperament
to offer valuable keys to the films of Hitchcock. A child of the Romantic
Age who appreciated the power of the unconscious mind, who for a time had
gone to school in London, who was a philosophical pessimist and a lover
of the arts (especially of the theatre), and who in later years liked to
read 'The Times' each day though he was living abroad - all these facts
about Schopenhauer may help to suggest why I see in him a considerable
overlap with Hitchcock. (Both men, too, could be very objective
about the human condition ...) KM
First, here are three short quotes
taken from three excellent books.
Interest in Schopenhauer's philosophy
is now returning after a long period of neglect. He has always been acknowledged
as one of the greatest writers of German prose, but only recently has he
begun to recover recognition as the only major Western philosopher to build
bridges between Western and Eastern thought; as a philosopher whose impact
on creative writers has never been surpassed; as possibly the greatest
individual influence on Wittgenstein; and above all as a great philosopher
in his own right. Many ideas which are thought of today as characteristically
'modern' received their first unequivocal expression in his pages. Not
surprisingly, a new generation is feeling a need to study his work.
- From the dust-jacket of Bryan
Magee's 'The Philosophy of Schopenhauer' (Clarendon Press, 1983)
[Schopenhauer] shared with the romantics
the rejection of science, and the celebration of the aesthetic and the
creative. His metaphysical position was that the world is a transcendental
illusion; reality is first to be found within ourselves, and then not as
reason but as irrational, impersonal Will. It is the Will that throws us
this way and that through desire and emotion, but it is never under our
personal control. The Will is in no sense a personal Will (any more than
Hegel's Spirit is personal); it is ultimately the reality of all things,
most obviously in the case of other living creatures whose lives are no
more - and no less - meaningful than our own. On the rational foundation
built by Kant, Schopenhauer demonstrates that life is intrinsically absurd.
At best we might see our way through the absurdity, and achieve some sort
of quasi-Nirvanic peace by denying the Will and the futile desires that
are its most immediate manifestations.
- Robert C. Solomon, 'Continental
Philosophy Since 1750' (Oxford University Press, 1988), pp. 75-76
The idea which allowed his monumental
book ['The World as Will and Representation'] to take shape was
his conception of the will. In the finished work, as its title indicates,
Schopenhauer presents the world as having two sides, that of Vorstellung
(representation), or the way things present themselves to us in experience,
and that of Wille (will), which is, he argues, what the world is
in
itself, beyond the mere appearances to which human knowledge is limited.
... His notion of will is probably best captured by the notion of striving
towards something, provided one remembers that the will is fundamentally
'blind', and found in forces of nature which are without consciousness
at all. ... Schopenhauer thinks ordinary existence must involve the dual
miseries of pain and boredom, insisting that it is the very essence of
humanity, indeed of the world as a whole, that it should be so.
- Christopher Janaway, 'Schopenhauer'
(Oxford University Press, 1994),
p. 6.
For
further reading on Hitchcock and Schopenhauer, see most of the pieces
by KM published elsewhere on the Web as listed near the top of our Home
page (link below). In particular, read the long profile of
Hitchcock's life and films written for the 'Senses of Cinema' Great
Directors feature, showing how Hitchcock was both 'pessimist' (like
J.K. Huysmans and Oscar Wilde) and 'anti-pessimist' (like G.K.
Chesterton): http://www.sensesofcinema.com/contents/directors/05/hitchcock.html
• Note.
There
are also some Schopenhauer links on our Links
Page.
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Ken Mogg muffin@labyrinth.net.au
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