News
Archive 2007
- or -
'How it Came to Pass that the Things that Came to Pass Came to
Pass.'
Podcast: I Shall Destroy
All the Civilized Planets!
This time around we're casting our comickal eye
on the almost-seventy-year-old work of one Mister Fletcher Hanks,
the author of a series of comics published between 1939 and 1941
that are now collected in the brain-breakingly weird I Shall
Destroy All the Civilized Planets!, ably edited by mister
Paul Karasik for Fantagraphics Books.

The two stars of the book are Stardust the Super
Wizard ("the most remarkable man who ever lived") and
Fantomah, protector of the jungle folk ("the most incredible
woman who ever lived"), two of the strangest, most childish
and cruelest comic book heroes I've ever had the pleasure of reading.
If, after listening to the review, youre curious
to see this stuff for yourself, as well as checking out the book's
official site over at www.fletcherhanks.com,
I highly recommend the Stardust page maintained by The
Mystery Walk, which has scans of several of the Super Wizard's
adventures that aren't collected in the book, as well as a "virtual
cartoon" version of "Stardust vs. the Mad Giant Experimenter".
Have fun, but be warned: just like Nietzche said,
if you gaze for long into the abyss of crap old comics, the crap
old comics gaze also into you.
(And before any comics historians start emailing
me, I'm aware that I got my dates for Superman's first publication
wrong. Action Comics #1 was published in 1938, not 1939
- here's a link
to full scans of the entire issue by way of apology).

ROM,
Spaceknight
I have a poster in an art auction that's taking
place at Floating World Comics in Portland, Oregon, over in the
United States there. The auction is a fundraiser to help pay the
medical bills for American comics legend Bill Mantlo, who was in
a rollerblading accident more than ten years ago. Bill's brother
is his primary carer these days and he has to deal with the vagaries
of the US healthcare system, which is a bit of a user-pays arrangement.
Hence the fundraiser, which is called Spacenight.

Bill wrote heaps of the superhero comics I read
as a kid, including The Incredible Hulk, Marvel Team-Up (where
Spider-Man hung out with a different superhero every issue), The
Micronauts and ROM Spaceknight. The attentive
among you will note that those last two comics were among the pile
I brought back from my recent trip to Sydney. So there's been a
bit of bedside reading of the old Micronauts and ROM in chez Chewton
of late.
ROM is a giant silver space-cyborg who fights
the Dire Wraiths, a bunch of aliens who have invaded Earth and
impersonated humans in order to overthrow our world from within.
When he's not smacking down the Dire Wraiths with his freaky weapons,
the Energy Analyser and the Neutraliser, or fighting other superheroes,
or teaming up with other superheroes to smack down the Dire Wraiths,
ROM spends a lot of his time soliliquising on the anguish that
comes with being made into a cyborg - never being able to hold
a woman in his arms or smell a flower, &c &c. It's kind
of like Invasion of the Body Snatchers but with a giant
emo space robot. How can you go wrong?

Anyway, I'm a bit excited to be one of the 100
or so contributors to this exhibition, alongside some real heavy-hitters
like Sal Buscema, Ron Rege Jr, Renee French and Jeffrey Brown (who,
by the way, recently
contributed an excellent pic to Monkey Punch Dinosaur). And
to underscore this excitement I've put together a desktop wallpaper
based on my portrait of The Greatest of the Spaceknights.

It's living over there on the Wallpapers
page, just waiting for you to right-click &c and set
as your desktop so that you and all who read your emails over
your shoulder will be reminded of the nobility and the glory
of the cyborg warrior whose sacrifices saved us from the menace
of the Dire Wraiths once and for all.
Podcast: The Great
Gatsby
I'm having a quiet Saturday in the bungalow that
used to be the Chewton police station and now is my office. After
a night of eleven almost continual hours of sleep I'm feeling spryer
and more alert than I have in weeks.
Bungalow time is a mishmash of idleness and productivity
as I sort through paperwork to see what's pending re: promises
and commitments, alphabetise a few comics, update a website or
two, and think about maybe fixing the door of the chookshed.
And while we're on the topic of websites and
comics, the latest addition to my podcast channel is a review of
Nicki Greenberg's impressive graphic novel rendering of F. Scott
Fitzgerald's The Great Gatsby, wherein the entire cast
is portrayed as a range of nonhuman creatures both real and nonexistant.
Nicki's novel is a watershed in
the history of Australian comics in that it's the first time I'm
aware of that a major book publisher has published an actual, honest-to-God
graphic novel. Rumours circulating seem to imply that this may
be only the first of an ongoing list of graphic novels to come
out of Allen & Unwin's stables, which can only be a good thing
if it turns out to be true.
In the meantime, of course, you can listen to
my thoughts on the comic in question by either hitting play on
the player above, or by checking out the podcast where it's hosted
by the kind folk at odeo.com.
Jutchy Ya Ya - It
Can Also Add Excitement
It's Jutchy Ya Ya time once again. That
makes thirty-five issues to date. Which works out to five a year
since 2000. Which isn't bad, as long as you ignore the fact that
it was intended as a monthly.

Check
out the zines section for a sample of this issue's heapin'
helpin' of clip art, toast, whistle technique, software workarounds,
zine reviews, potted indigenous history and a photo of the legendary
Chuck E. Weiss. As always the print version is better, and if
you want one to hold in yer hot little hand, just send a stamp
or something interesting in the post by emailing
us for the address.
Ziney books
15th October
Two lovely books by two of the luminaries of
the Australian zine world that you should know about:
Strawberry
Hills Forever (you might need to scroll down to "title02")
is Vanessa Berry's collected works, assembling between a single
cover years of writing previously seen on the pages of her
various zines (Psychobabble, Laughter and the Sound of
Teacups, I am a Camera, Vinnies). Vanessa's writing is
all very personal, allowing the reader inside her mind to share
what excites, inspires, bamboozles and upsets her. From odd
corner stores to op-shops, from Portugal to Enmore, reading
missives from Vanessa's life is like a letter from an unexpected
and delightful pen-pal.
YOU:
some letters from the first five years (you might
need to scroll down for this one too) is, not surprisingly,
a collection of letters all written to YOU. It's an anthology
of this great little free zine that is the same thing every
issue: a sealed bag containing a double-sided letter from someone
you probably don't know. At their best, zines are a form of
intimate communication between strangers, and YOU is the epitome
of that. Having five years' worth of something like this safely
tucked in a single place is pretty damn special if you ask
me.

Podcast: Platinum
Grit
Back from a week in Sydney with the last of the bags unpacked
and all the holiday shopping booty finally packed away in its rightful
place.
Noteworthy among said booty is the giant green foam fist that
makes the sound of glass breaking and snarls HULK SMASH! when you
you wear it like a glove and punch stuff ($2.00 at the Roselle
Market) and the foot-high pile of old ROM, Micronauts, Omega
the Unknown and Savage Henry comics (50c each from
Kingdom Comics on Liverpool Street).
Almost lost it all when I left my bag at the airport and then
proceeded to incorrectly describe it to airport lost property,
but we muddled through somehow, and the bag and its trashy pop
culture contents are now safe in their various rightful places
at home.

Podcast four features my circa-2005 review of the delightful Platinum
Grit, a mainstay of Australian comics that has weathered
fortune fair and foul and continued to bring us the hilarious
black comedy stylings of a girl, her best friend and their physicist.
As ever you can listen to the podcast on the player above, or
head over to odeo.com to
listen to it there and perhaps take advantage of the subscription
possibilities that are on offer.
That's it for the comic review backlog. The next time we talk
podcasts it'll be a brand new review fresh from the RRR airwaves.

Podcast: G0dland
How good has Doctor Who been lately?
I mean, holy wow I was all on the edge of my seat last night with
the whole return of the Master thing. And the week before that,
the episode with the stone angels and the DVD easter eggs was the
first time I've ever seen time travel actually used as a plot point
in Doctor Who. Which is kind of odd.

Podcast number three is the audio
version of a review that's already graced this good website, wherein
I speak about how excellent the comic known only as G0DLAND (pictured
above) is. Which is very.
As always, you can cheggit onetime
up there above these words, or you can head over to odeo.com for
a listen and a little bit of a subscribe - if you're a subscribin'
kind of type. And for added special bonus you can
read the review as it originally appeared on Comic
Book Galaxy before one of those database crash things coupled
with my skills at procrastination and Alan Doane's decision to
make CBG a one-man show saw it hosted right here on this little
website instead.

Zines: exhbitions
and directories
There was a nice little article
on zines in the Sydney Morning Herald yesterday,
about the Zine Factory exhibition that's on at the Penrith
Regional Gallery until mid-October. It's got interviews with
Leigh Rigozzi (Fumetti, Trevally of the Shadow of Death),
Miss Helen (Fly Away Bird) and Dr. Anna Poletti (Trade
Entrance).
It also does that thing that lots of mainstream
media reports on zines do, in that it presumes that making zines
is some kind of apprenticeship for 'proper' writing, ie writing
that's not self-published. Which is a heapin' helpin' of so not
true. I didn't 'start out' in zines before going on to write novels.
I do both, I've done both for as long as I've been a writer, and
I plan on always doing both as long as I can pick up a pen or press
down on a keyboard.
(If you want to be specific, if I started out
with anything as a writer, it was with the thematic apperception
tests that the psychology undergraduates got me to do when I was
in grade three. But that's another story.)
For more on zines in Australia, there are a few
other good resources out there on the intarwub that I've lately
discovered, to whit:
• Melbourne's Sticky
Zineopedia (click on "zineopedia")
• Newcastle's own Octapod's Undergrowth
zine archive
• Adelaide's Ministry of
Zines MySpace page
All chock full of ziney goodness just waiting
for some nice young thing to come along and use them as inspiration
for making their own zines.

Podcast: Nextwave:
Agents of H.A.T.E.

Episode two of the Comic RRReviews
by Adam Ford podcast arrives just in time for Father's Day, so
happy Dad Day to all who celebrate it. This episode looks at the
hilarious and actiontastic 12-issue superhero comic Nextwave:
Agents of H.A.T.E. by Warren Ellis on words and Stuart Immonen
on pictures.
As always, you can listen to it
right here, or check it out over at odeo.com,
which will give you some nice subscription options that will let
your automated download systems place your very own copy of said
podcast on your very own hard drive. If that's the kind of thing
that floats your kicking and 'sploding boat.

Podcast: Character
Sketches: Trauma and Joy

Character Sketches: Trauma and
Joy is the debut release from Australian comic publisher Gestalt
Comics. I reviewed it last week on RRR's Aural
Text, aided and abetted by hosts alicia
sometimes and Steve Grimwade. In the ongoing twoification
of this humble site, I'm proud to present said review in the
first of what will hopefully be a series of comic review podcasts.
As well as living just above this paragraph,
the podcast can
be found here, hosted by the folks at odeo.com. Which is dash
sporting of them. You can subscribe to the podcast in a bunch of
ways, including the ubiquitous iTunes. Which is also dash sporting.
I've been doing these comic reviews every month
or so for a couple years now. I've got a backlog of recordings
that I'll be adding over the next few weeks, and then I think I'll
settle into a more-or-less monthly routine.
So yeah. Podcasts. As the gremlin with the plummy
voice in the suit and tie said, "Check it out one time, won't
you."
Jutchy Ya Ya - This
is not a safety device
I've yet to come up with a scheme
that will get me invited to be a guest on Spicks and Specks. I
used to write for InPress back in the nineties when Myf
Warhurst was managing editor, but that's too old and too tenuous
a connection to even contemplate exploiting. I once gave her an
op-shop copy of David Cassidy's 'Myfanwy' as a belated birthday
present, but that's hardly the kind of thing that would tip the
scales in my favour.

Anyway, there's a new Jutchy
Ya Ya up in the zines section,
the thirty-fourth in the series. This time the spotlight focuses
on late trains, recent developments in the Northern Territory,
gypsies, parenting, experimental computer games, zine reviews,
the spectacular Transporter 2 and jumble puzzles.
As always, if you want a print version
that you can fold, spindle and mutilate in the privacy of your
own home it's as simple as sending us something interesting in
the post or on the email (email
us for the postal address). Zine swaps are also gratefully accepted.

Doujicon
Plus also just quickly, if, say, 12 days from
now, you happened to be in the vicinity of Monash University's
Caulfield campus, and in the mood to watch a veritable slew (the
official collective noun, dontchaknow) of home-grown Australian
animation, including 'The Battle
of Clarendon Street' all huge-ified on a biggish screen, well
you're in luck, because this year's Doujicon (doujinshi =
self-published anime and manga) is reprising the Comics
to Animation program, which featured said animation, as part
of the cavalcade of comics and animation that starts at 10am on
Saturday 28 July. More details as they become available at the
official Doujicon website.

The Book of Job
Tomorrow morning I'm hanging out with thirteen
keen-bean teenagers, teaching them the ins and outs of writing
for the intarwub. I'm giving them all the trade secrets: short
articles/short paragraphs/short sentences; always provide some
kind of visual element; if you want people to actually visit your
site, either nudity or cats must be involved; how to spell "pwn3d" correctly
(capital 3); how to work a content management system - the usual.
But tonight it's just me, my wife and my cat
(see?), my daughter asleep (for now) in the next room, and the
television off. What better time to direct such a fine intarwub
connoisseur as yourself to the latest addition to our fine comics
section?

Click the above pic (see?) to check out a sample
from my circa-2000 adaptation of the biblical Book
of Job. In glorious stick-o-vision, no less. Has the never-ending
battle between good and evil ever been rendered so simplistically?
Probably, yeah.
The Battle of Clarendon
Street
Thanks to the folks at Revver,
I've finally been able to put a copy of 'The
Battle of Clarendon Street' online. Seems all I had to do was
procrastinate for three years until advances in web technology
solved the problem for me. So now that's my solution for every
problem. Mice in the pantry? Sorted. Slow leak in your back tyre?
No worries. Just wait a few years and the internet'll fix it.

TBOCS is the animation that I made in the second
year of the multimedia course I did a while back. It's based on
a short story I wrote as part of a series called 'One History of
the VFL', a bunch of fictional histories that revolve around various
Australian Rules teams. I was aided and abetted in this enterprise
by the ever-amazing Grant Balfour and the epithet-defying Mister
Charles 'Bud' Tingwell.
For the back-story on how the hell I got Bud
to do the film, check out the blow-by-blow account in the archives
of The Mysterious Creepy Secret Evil Killer Haunted Zombie Blog
Graveyard of Doom from BEYOND THE GRAVE!!! here, here and here.
And for the record, I did get him to sign my
VHS copy of 'Return of the Cybernauts'. He was very sweet about
it, and even shared a few anecdotes with us about Patrick Macnee.
Heavy Product Sighting:
General Motors Station
It's a sunny Sunday afternoon I'm sitting watching
the daughter wheezing and growling for her own amusement on her
rug. She's surrounded by thick-paged cardboard books and soft toys
and things that go dingle-dingle when you shake them. Some of those
grunts may be pooing. It's always a possibility.
There's a new photo in the Heavy
Product Gallery, our celebration of the senior non sequitur
sticker of our times. The sighting was an electronic one, sent
to us by the euphemistically-named 'somebody in the www'. That
certain somebody alerted us to a photo of a sign at the abandoned
General Motors Station in Dandenong South, taken by one 'metfink'
and uploaded to his fotopic
site. Mister Fink has generously allowed us to syndicate
said photo in our gallery, and syndicate we shall.

As a reward for their vigilance and generosity,
both Somebody and metfink will receive an official Adam Ford Zine
Pack (tm) for their trouble. And if you'd like to score such a
prize for yourself, all you gots to do is send us a photo of a
This Is A Heavy Product sighting in situ. Too easy.
For more about the history of General Motors
Station, check out the
wiki. Yes, there's a wiki. As alicia
sometimes often points out, these days you can be MySpace buddies
with a bottle of sauce. Yay the internet.
New poems: cool electrons
and peanut butter
Sneaking in a quick update from work at lunchtime,
with the smell of microwaved laksa and the clink of cutlery drifting
past my desk, to say that I have two poems in hutt (specifically
issues 3.1 and 3.3) courtesy Queensland's Paper Tiger Media. One
is called 'All
the other "cool" electrons'. The other one doesn't
have a name.
And now, if you'll excuse me, I have to go breathe
some un-recycled air.
New poem: Souper
Vighagra
I have a poem in the May edition of elimae,
that delightful online journal of small, unusual things. It's called 'Souper
Vighagra'.
Conceived on a Tram reviewed in The
Age
Conceived On a Tram cracked it for a review in The
Age on the weekend, which was a nice surprise birthday present. "Read
me something from the paper," said Anna as we clocked up
our second hundred kilometres of a four-hundred-kilometre-plus
weekend that saw us visiting both sets of parents - both in Melbourne
- within a forty-eight hour period.
So I did. And after reading her the article on the woman who uses
glass vessels as percussion instruments, I turned to the book reviews
section and found this:

(click for the full review)
There's nothing beats a little ego-inflation at 110kph
on one's birthday. Or if there is, I can't think of what it might
be.
Nick Earls in action
I don't like to malign my professional acquaintances,
but Nick Earls is a really nice guy. I know a lot of people
have a problem with the n-word, but hey - if the shoe fits.
I've been lucky enough to get to know Nick in
a small way since our initial email encounter where I unintentionally
emotionally blackmailed him into writing a back-cover blurb for Man
Bites Dog by sending him an invitation to my 30th birthday
jumping castle party (I stole the idea from Zig
Zag Street - the idea for the jumping castle, not the
emotional blackmail).
But he's not just nice. He's funny and
friendly and kind of charming, too. A bit like his books. And now
there's a way that you can experience this niceness and funniness
for yourself, thanks to three TV ads he did for the City of Brisbane.
The ads star Nick as himself, trying
to come up with the perfect catch-all blockbuster storyline that
encapsulates Brisvegas in its entirety. You can download them from
Nick's website, Sunny
Garden, to watch in the privacy of your own internet.
This is the only way you'll get
to see the ads, because, as Nick himself put it, he's since been "traded
in for cool young folk with hats who stay up far later than I do".
Well, if it's a choice between being
nice and wearing a cool hat, I know which one I'd pick.
How about you?
Rude
Boy
That comic-drawing raconteur Paul
Davis has got together with Sleepers Publishing and Hardie
Grant and put together a new comic anthology called Conceived
on a Tram.
It's a fine collection of work by Melbourne comic artists, a good-looking
black and white and red affair with textual contributions by noted
funny Melburnians Danny Katz and Sean Micallef. I was lucky enough
to catch last night's train home with ZD, one of the Sleepers mavens,
and she allowed me a sneak peek of the sweet little thing. My,
it's a fine piece of work.
Melburnian comickers represented upon its pages include Dead Xerox
founder Tim Danko, Alice Mrongovius (the
bandit fox herself), Andrew
Weldon (recently spotted in the very New Yorker itself),
the delightful Mandy
Ord (she of the blackest blacks), Cardigan
Comics's own Bernard Caleo, Francis
Bear creator Gregory Mackay, the beguiling Trudy
White (of Table of Everything fame) and many others.
One of those others happens to be yours
truly. A very chuffed yours truly to be in the company of such
auspiciously sequentially artistic folk. My comic is a two-page
effort called 'Rude Boy in "Got
Any Chandler"', a story about a ska-loving private eye, second-hand
bookstores, alien abductions and chutney.

Conceived on a Tram is being launched at Trades Hall,
on the corner of Victoria and Lygon Streets in downtown Carlton,
on April the 5th at 6pm. Mister Sean Micallef will be speaking
in some no doubt memorably quizzical and humourous fashion and
there will be projections of comic art on the walls. Which is the
best thing for them, really.
So come on down. If there's a better way to celebrate Maundy Thursday
than to drink beer in the company of comic artists while their
lines grace the walls that you lean on, I can't think of one.
To keep you amused while you wait for the launch, I've finally
got around to uploading the first chapter of Rude Boy's first adventure
(which is about false accusations, rescues, planar worms and sodium
pentathol), simply entitled 'Rude
Boy in "We're Out of Milk"'. Enjoy.
Poetry Review: Break
Me Ouch
Friday night movie on Channel Ten tonight is The
Bourne Identity. I've seen it before and it's just as good
this time. It's a great reference point for someone trying to
write an action novel. It's an example of things done right.
Really right.
I tried reading Ludlum's novel after I'd seen
the movie the first time, but it's far more purple than I had expected.
And really long. But at least it didn't have pop-up ads
for The Biggest Loser or Celebrity Dog School all
the way through it. That's always a bonus.
Anyway, I've got a review up on Cordite this
week. I'm adding my comics knowitallidge to my poetry knowitallidge
and pointing it in the direction of Michael Farrell's Break
Me Ouch. Here's are a couple samples of the kind of thing
he's doing in the book.


And if you wanna know what I thought, check
out the review.
Jutchy Ya Ya: Add
ten, take away one
I'm pleased to announce there's a new Jutchy
Ya Ya in town. Well, it's a couple months old, but it took
me time to arrange the copying and then a bit longer to put the
web pages together. But it's here now, and that's all that matters.
This issue features ruminations on snooze buttons,
poetry, bushfires, short excursions through North Fitzroy, the
doppler shift and the bowel motions of infants.
The whole thing is available in electronic form
in the zines section, but if you
want a hard copy of your own to fold up and stick in your back
pocket, you can always check out the two regular distribution points
(Sticky, underneath Flinders Street Station in Melbourne; and the
Castlemaine train station) or email
us here at Jutchy headquarters to arrange some kind
of swap.
The standard transaction involves one copy of
the zine for every "something interesting" you send me
in the post. As to what constitutes "something interesting",
we might refer you to a previous
swap with Tim from the fabulous blog known only as Un.
Neopulp: Hamlet vs.
Faustus
I'm pleased to add another name to the NeoPulp canon. South Australian
comic artist Ben Kooyman's Hamlet vs. Faustus takes characters
from Shakespeare's Hamlet and Marlowe's Doctor Faustus and
mixes it together with fist-fights, ninjas, werewolves, poo humour
and meditations on the existence of God.
It's a complex and engaging hand-drawn action-comedy epic in twelve
photocopied parts, and a fine example of the kind of genre-blending
playfulness that NeoPulp embodies.
Where else but NeoPulp would you find Doctor Faustus returned
from hell and talking trash to Hamlet, Prince of Denmark before
breaking his nose in revenge for the slaughter of Cerberus, the
three-headed fire-breathing guard-dog of Hell?

Some would say that the memory of two of the most important theatrical
geniuses in the history of the English language has been cheapened
by such a cavalier reinterpretation. But they would be wrong.
You can email Mister Kooyman at hamletvsfaustus@optusnet.com.au to
score a copy of HvF for your very own, and head elsewhere
on this site to check out the NeoPulp
Manifesto in full.
And a belated tip of the hat to three other fine examples of what
the NeoPulp Manifesto is on about. Taking their place in the list
of Those Who Have Gone Before are Joss Whedon's scifi western Firefly/Serenity,
the loving adventure-pastiche of Wes Anderson's The
Life Aquatic with Steve Zissou and Matt Fraction and
Gabriel Ba's ubercool superspy comic Casanova.
Heavy Product Sighting:
East Brunswick
Another Heavy Product sighting,
this time in downtown East Brunswick. Our latest HP-spotter is
none other than Dana Lucas, who was wandering the wilds of Miller
Street when she came upon the latest addition to our gallery.

"Hope this is some use to you in your gallery," says
Ms. Lucas in her email. It sure is, Dana! We appreciate you going
to the trouble of snapping a pic for us and winging it our way
on the email. As thanks, please accept an official Adam Ford zines
and other stuff pack (tm), which will be winging its way to you
on the snail-mail.
Don't forget, if YOU know where a TIAHP sticker
is living, you can score yourself a similar reward by either taking
a photo and sending it to us, or simply letting us know the location
so we can go out and take a photo ourselves.
Check out Dana's photo in all its full-size glory,
and all other sightings of This Is A Heavy Product stickers at
the unofficial Heavy Product
Gallery.
Magic Cowboy rides
Tonight is the opening night of my brother's
exhibition in Sydney. He's put together a bunch of his paintings
and you can buy them.
If you're not a painting-buyer yourself, but
you do like looking at them, you can still go along and check them
out. He won't mind.
I wrote some little stories for the exhibition
program. If you get there early enough you can pick one up, along
with a nifty little set of swap-cards of each of the paintings.
The exhibition is on until the 10th of January. Full details at hughford.net.
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