blog
graveyard of DOOM index < | >

We Like the Music.
24th September, 2004
Been getting into the whole mashup thing big-time
of late. Allow me to recommend three fine purveyors of musical
cross-pollination for your consideration.
Sydney-based Dscio (I think
it's pronounced to rhyme with "the sicko") has come up
with some amazing fusions. My favourites include "Compton
Magic", putting Olivia Newton-John and Public Enemy together
in a surprisingly effective way; "Groove's a Bitch",
which uses Dee-Lite's anthemic "Groove Is in the Heart" as
a platfom on which to balance Missy Elliott and Basement Jaxx; "Superbadass
Can't Hide", which lays down a James Brown groove and drapes
Kosheen over the top; and "Block Rockin' Woman", the
frighteningly catchy bastard child of Destiny's Child and Fat Boy
Slim. Not everything Dsico touches is gold - sometimes he gets
stuck on the one song and uses it over and over again, and sometimes
he messes with the tempos to match the beats, which makes the end
result feel clumsy and forced. But when he hits the beat, he hits
that beat good.
KE4 is a German masher with
a fine sense of how things can fit together. His mashup of Survivor's "Eye
of the Tiger" and the Scissor Sisters' cover of Pink Floyd's "Comfortably
Numb" is a celebration of trash par excellence. "Unusual
Wanksta", which teams up Tom Jones and 50 Cent, is a nice
departure from the straight-ahead four/four of a lot of mashes.
And "Disco Razzia" - Falco versus Usher - is as cool
as cool can be. KE4 also mixes up DJ-sets for download that let
him do the driving. And he's a pretty good driver.
The Kleptones's A Night at the
Hip-Hopera is a giant album-length download that uses the best
of Queen as a backing track for a who's-who of rap and hip-hop.
Eminem's "Slim Shady" over the top of "Bicycle" and
Electric Six's "Gay Bar" matched with "I Want to
Break Free" are highlights. They've also done something similar
with the Flaming Lips's Yoshimi Versus the Pink Robots. These guys
are big ol' collagers, using hip-hop vocals and movie and TV samples
to build their own scenarios and conversations, a lot like what
Kid Koala does. More playful and silly than the above two mashers,
but still worth a listen.
And of course, as with all copyright-infinging
music, you gotta be quick. No telling how long this stuff will
be around for. If anyone else has got some mashers to recommend,
don't hold back. New music is what keeps us going, some days.
Related links:
Dsico:
that no-talent hack
KE4.de
The Kleptones

blog graveyard of DOOM index < | >
|